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He studied music and computer science in his native Brazil and at the University of York in England. PhD Thesis: Unconventional Computing and Music: An Investigation into Harnessing Physarum polycephalum. I resigned and went back to college to study for a music degree. 1997: X Bienal de Música Brasileira, Rio de Janeiro, Brazil. Currently in charge of computer music research at the University of Plymouth, England, Eduardo Reck Miranda is devoted to the quest for new forms of musical expression, independent of fashion and commercial tendencies, trying to amalgamate a diversity of styles with unorthodox but meticulous compositional methods. Plymouth University, UK eduardo.miranda@plymouth.ac.uk ABSTRACT This paper describes the implementation of gestural map-ping strategies for performance with a … 2004: St Andrew’s Church, Ten Tors Orchestra, Plymouth, UK. The digital headwear, being developed by Professor Eduardo Miranda at the University of Plymouth, could be linked to portable devices like iPhones in the future. Leave a Reply Cancel reply. Eduardo Reck Miranda. [ https://www.bbc.co.uk/programmes/b053bxy1 ]. 1998: Buenos Aires no dorme, Buenos Aires, Argentina. None. [ https://www.bbc.co.uk/programmes/p00dgbx7 ]. 2003: X Jornadas de Informatica y Electronica Musical, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain. Guide to Computing for Expressive Music Performance. 1999: Seoul International Computer Music Festival, Seoul, South Korea. [ https://www.scoop.it/topic/eduardo-r-miranda-impact-press ]. University of Plymouth's Centre for Health Technolgy RadioMe project is led by Professor Eduardo Miranda from the University’s Interdisciplinary Centre for Computer Music Research (ICCMR). Member of the Editorial Board: Leonardo Music Journal, The MIT Press. 2011: Electronica III, BBC Concert Orchestra, Queen Elizabeth Hall (South Bank Centre), London, UK. Author information: (1)Interdisciplinary Centre for Computer Music Research (ICCMR), School of Humanities and Performing Arts, University of Plymouth, Plymouth, PL4 8AA, United Kingdom. [ https://www.bbc.co.uk/news/av/science-environment-35557908/disabled-musicians-create-music-from-brainwaves ]. It is perhaps the unlikeliest duet in musical history. 3a. (piano), T-Son 61, Studio PANaroma. ... Plymouth University Eduardo R. Miranda Programme: Breakfast Show. [ https://www.bbc.co.uk/news/av/technology-30182600/the-computer-circuits-made-of-slime-mould ]. 2015: IRCAM / Centre Georges Pompidou, Paris, France. International Computer Music Conference ICMC, Göteborg. 2017: University of Regensburg, Institute of Medical Microbiology and Hygiene, Regensbug, Germany. Plymouth, United Kingdom 2011: Música Eletroacústica, Sala dos Sons, Porto Alegre, Brazil. 1998: Sala Hal, computer music series, Barcelona, Spain. St Andrew’s Church, Ten Tors Orchestra, Plymouth. CY - Plymouth UK. 2017: Mainly Mozart, Marriott La Jolla, San Diego, California, USA. 2014. 26 Feb 2015: BBC Radio 4. Video screenshot by Leslie Katz/CNET There's a fungus among us -- and it's quite talented. {jaime.serquera, eduardo.miranda}@plymouth.ac.uk ABSTRACT This paper presents a new method for sound synthesis. 22 Jan 2012 BBC World Service. Narrating Enterprise with Plymouth University - Eduardo Miranda, Professor in Computer Music The Narrating Enterprise film was a concept thought up by the Plymouth … Presenter: Tim Muffett. 2006: Jornadas de Música Electroacustica, Montevidéo, Uruguay. Mainly Mozart, Brendan Nguyen (piano), Atkinson Hall, La Jolla, San Diego, California. 2004: Department of Music, Institute of Fine Arts, Federal University of Rio Grande do Sul (UFRGS), Porto Alegre, Brazil. 2009: Baghdad Lullabies, Illios Happening, Frances M Lynch (voice), Harstad, Norway. 20 Feb 2013: BBC Radio 3. Guide to Unconventional Computing for Music. Leave a Reply Cancel reply. Sequencing and Musical Composition'. A-Life for Music: Music and Computer Models of Living Systems. 2016: Harvard University, Department of Music, Cambridge, MA, USA. 2015. 2003: Ciclo Internacional de Música Electroacustica, Santiago de Chile, Chile. Electric Voice Theatre with Frances Lynch, Kettle's Yard, by the world's first Brain-Computer Music Interface (BCMI) quartet", " ... transformational for someone who can't move but can now make music. 2013: Difusão Sonora de Música Eletroacústica, Porto Alegre, Brazil. 2012: New Resonances Festival, Wilton's Music Hall, London, UK. 2015: Music Tech Festival - London, LSO St Luke's, London, UK. Composition, Journal of the Brazilian Computer Society, "... author of one of 1) Inventor: Eduardo Reck Miranda c/o Sony France S.A., “Morphological categories for voice synthesis”, Europe: EP 1 160 764 A1, Publication 05/12/2001; Japan: P2002-23775A, Publication 04/06/2001. Email publicrelations@plymouth.ac.uk to enquire. 2009: Cybernetics, School of Systems Engineering, University of Reading, Reading, UK. 2012: Invited Speaker: Plymouth International Book Festival, Plymouth, UK. Multiplex 2002: Música, Tecnologia e Artes Visuais, Goethe 'Mother Tongue' includes a selection of works from his research into … 2002: Departamento de Computación, Universidad da Coruña, La Coruña, Spain. 1999, University of Glasgow, Kenneth McAlpine. 1995: OSPA (Porto Alegre Symphony Orchestra), Official Concert series, Porto Alegre, Brazil. [ https://www.bbc.co.uk/news/science-environment-31655846 ]. 2015: Peninsula Arts Contemporary Music Festival, The House, Plymouth, UK. This process generates a pool of new DNA strands, which are subsequently translated into rhythms. PhD Thesis: Design Strategies for Adaptive Social Composition: Collaborative SoundEnvironments. Plymouth University Professor Eduardo Miranda says his music is inspired by his research into artificial intelligence. Timbre Composition in Electroacoustic Music, 'A Nonlinear Approach to Generate Creative Data using Physarum polycephalum-based Memristors', 'A Universal Biocomputing Model for Creative Applications: A Nonlinear Approach Using Physarum polycephalum-based Memristors', 'Artibiotics: An Artificial Biology Musical Experiment', 'Music Neurotechnology: a natural progression', The Routledge Research Companion to Electronic Music: Reaching out with Technology, 'BCI for Music Making: Then, Now, and Next', Brain–Computer Interfaces Handbook: Technological and Theoretical Advances, Guide to Brain-Computer Music Interfacing, 'Experiments in musical biocomputing: towards new kinds of processors for audio and music', 'A Comparison of Fitness Functions in a Genetic Algorithm for Print E-Mail. 2012: Sond'Ar-te Electric Ensemble, Cascais Cultural Centre, Cascais, Portugal. The Narrating Enterprise film was a concept thought up by the Plymouth based agency The Bridge to promote the interesting and enterprising staff within the University of Plymouth. 2001: Institut des Sciences Cognitives, CNRS – Université Claude Bernard, Lyon, France. Programme: HUMANITY 4.0. [ https://www.bbc.co.uk/programmes/b08g47yt ]. Programme: Today. Musica y Nuevas Tecnologias: Perspectivas para el Siglo XXI. Festival director and musician Eduardo Miranda has put the decomposition into composition: ... a PhD student at Plymouth University, with Eduardo Miranda. Eduardo Miranda Biocomputer Performance ... play “The Tempest.” “Lampedusa” premiered earlier this year at the Contemporary Music Fest at the University of Plymouth, where Miranda serves as head of the Interdisciplinary Centre for Computer Music Research. Also, I have considerable experience with post-graduate external examinations, with 34 PhD theses examined worldwide within the last 10 years. Presenter: Neil Bowdler. 1995: XI Bienal de Música Brasileira Contemporânea, Rio de Janeiro, Brazil. Baghdad Lullabies, Illios Happening, Frances M Lynch neuroscience of music, biomusicology, eeg, university of Plymouth, Plymouth centre for computer music research, brain-computer interface, BCI, music, computer music, acousmatic Eduardo Miranda, Self: Click Online. the covers of the magazines below to read the articles. 2011: Peninsula Arts Contemporary Music Festival, Plymouth, UK. 05 Jun 2015, EITB TV – Bilbao, Spain. The system uses bioprocessors made from a unicellular organism called Physarum polycephalum. 2016, University of Plymouth, Edward Braund. Required fields are marked * … University of Plymouth. It enables us to create music on our laptop and have instant access to songs via the internet. Presenter: Jean-Marie Leau. Today marks a fascinating musical first ... a performance of the world's first Brain-Computer Music Interface (BCMI) quartet. Electromagnets set off vibrations in the strings of the piano and percussion instruments. Invited Speaker: Technarte – International Festival on Art and Technology, Bizkaia Aretoa UPV-EHU, Bilbao, UK. Eduardo R. Miranda, Alexis Kirke, and Qijun Zhang Interdisciplinary Centre for Computer Music Research (ICCMR) University of Plymouth Plymouth, PL4 8AA United Kingdom {eduardo.miranda, alexis.kirke, qijun.zhang}@plymouth.ac.uk As early as the 1950s and early 1960s, pioneers such as Lejaren Hiller, Gottfried Michael Koenig, Iannis PhD Thesis: Emergent Rhythmic Structures asCultural Phenomena Driven by Social Pressure in a Society of Artificial Agents. [ https://www.eitb.eus/es/television/programas/eitb-kultura/videos/detalle/3266240/video-technarte/ ]. The rest is history. Performances of Compositions at Music Festivals Worldwide (a selection): 2018: Beyond Festival – Future Design, Karlsruhe, Germany. 2016, University of Plymouth, Joel Eaton. 2016: Peninsula Arts Contemporary Music Festival, The House, Plymouth, UK. eduardo.miranda@plymouth.ac.uk University professor and leader of MA Music, Eduardo Miranda was invited to speak at the Royal Institution of Great Britain to explain our research connecting music, the brain and technology. ', Mcloughlin M, Lamoni L, Garland EC, Ingram S, Kirke A, Noad MJ, Rendell L & Miranda E, 'Using agent-based models to understand the role of individuals in the song evolution of humpback whales ( Megaptera novaeangliae )', 'Genetic Music System with Synthetic Biology', Miranda E, Daly I, Nicolaou N, Williams D, Hwang F, Kirke A & Nasuto SJ, 'Neural and physiological data from participants listening to affective music', 'Introduction: Leonardo Music Journal 29', 'PhyBox: A programmable interface for Physarum Polycephalum-based memristors', International Journal of Unconventional Computing, 'PhyBox: A Programmable Interface for Physarum Polycephalum-based Memristors', 'Understanding biomechanical constraints for modelling expressive performance: A guitar case study', 'Understanding Biomechanical Constraints for Modelling Expressive Performance: A Guitar case study', Daly I, Williams D, Hwang F, Kirke A, Miranda ER & Nasuto SJ, 'Electroencephalography reflects the activity of sub-cortical brain regions during approach-withdrawal behaviour while listening to music', Miranda ER, Antoine A, Celerier J-M & Desainte-Catherine M, 'i-Berlioz: Towards Interactive Computer-Aided Orchestration with Temporal Control', International Journal of Music Science, Technology and Art, Kirke A, Williams D, Miranda E, Bluglass A, Whyte C, Pruthi R & Eccleston A, 'Unconsciously interactive Films in a cinema environment—a demonstrative case study', Daly I, Williams D, Malik A, Weaver J, Kirke A, Hwang F, Miranda E & Nasuto SJ, 'Personalised, Multi-modal, Affective State Detection for Hybrid Brain-Computer Music Interfacing', Nicolaou N, Malik A, Daly I, Weaver J, Hwang F, Kirke A, Roesch E, Willilams D, Miranda ER & Nasuto S, 'Directed Motor-Auditory EEG Connectivity Is Modulated by Music Tempo', 'Harnessing Slime Mould Communication for Musical Computing', 'Parametric Factors Affecting Concatenative Sound Synthesis', Williams D, Kirke A, Miranda E, Daly I, Hwang F, Weaver J & Nasuto S, 'Affective Calibration of Musical Feature Sets in an Emotionally Intelligent Music Composition System', Visi F, Coorevits E, Schramm R & Miranda ER, 'MUSICAL INSTRUMENTS, BODY MOVEMENT, SPACE, AND MOTION DATA: MUSIC AS AN EMERGENT MULTIMODAL CHOREOGRAPHY', 'Aiding Soundtrack Composer Creativity through Automated Film Script-profiled Algorithmic Composition', 'INTERACTIVE MUSICAL BIOCOMPUTER: AN UNCONVENTIONAL APPROACH TO RESEARCH IN UNCONVENTIONAL COMPUTING', 'Music: The music of particle collisions', Daly I, Williams D, Kirke A, Weaver J, Malik A, Hwang F, Miranda E & Nasuto SJ, 'Affective brain–computer music interfacing', Kirke A, Shadbolt P, Neville A & Miranda E, 'A Hybrid Computer Case Study for Unconventional Virtual Computing', International Journal of Unconventional Computation, Daly I, Williams D, Hallowell J, Hwang F, Kirke A, Malik A, Weaver J, Miranda E & Nasuto SJ, 'Music-induced emotions can be predicted from a combination of brain activity and acoustic features', 'Wireless Interactive Sonification of Large Water Waves to Demonstrate the Facilities of a Large-Scale Research Wave Tank', Williams D, Kirke A, Miranda E, Daly I, Hallowell J, Weaver J, Malik A, Roesch E, Hwang F & Nasuto S, 'Investigating Perceived Emotional Correlates of Rhythmic Density in Algorithmic Music Composition', 'Real-Time Hallucination Simulation and Sonification through User-Led Development of an iPad Augmented Reality Performance', 'The Space Between Us: Evaluating a multi-user affective brain-computer music interface', 'Artificial Intelligence inOrganised Sound', Daly I, Hwang F, Kirke A, Malik A, Weaver J, Williams D, Miranda E & Nasuto SJ, 'Automated identification of neural correlates of continuous variables', 'Dynamic Time Warping for Music Conducting Gestures Evaluation', 'A Multi-Agent Emotional Society Whose Melodies Represent its Emergent Social Hierarchy and Are Generated by Agent Communications', Journal of Artificial Societies and Social Simulation, 'Identifying the basis of auditory similarity in concatenative sound synthesis users: A study between musicians and non-musicians', ARPN Journal of Engineering and Applied Sciences, 'Histogram mapping synthesis: A cellular automata-based technique for flexible sound design', Daly I, Williams D, Hwang F, Kirke A, Malik A, Roesch E, Weaver J, Miranda E & Nasuto SJ, 'Investigating music tempo as a feedback mechanism for closed-loop BCI control', Williams D, Kirke A, Miranda ER, Roesch E, Daly I & Nasuto S, 'Investigating affect in algorithmic composition systems', 'Pulsed Melodic Affective Processing: Musical structures for increasing transparency in emotional computation', 'Harnessing the Intelligence of Physarum Polycephalum for Unconventional Computing-Aided Musical Composition', INTERNATIONAL JOURNAL OF UNCONVENTIONAL COMPUTING, Daly I, Malik A, Hwang F, Roesch E, Weaver J, Kirke A, Williams D, Miranda E & Nasuto SJ, 'Neural correlates of emotional responses to music: An EEG study', 'Towards Harmonic Extensions of Pulsed Melodic Affective Processing Further Musical Structures for Increasing Transparency in Emotional Computation', 'Unconventional Computation and Teaching: Proposal for MUSIC, a Tone-Based Scripting Language for Accessibility, Computation and Education', Kirke A, Miranda E, Chiaramonte A, Troisi A, Matthias J, Fry N, McCabe C, Radtke J & Bull M, 'Cloud Chamber: A Performance with Real Time Two-Way Interaction Between Subatomic Particles and Violinist', Fernandez de Vega F, Cotta C & Miranda ER, Miranda ER, Magee WL, Wilson JJ, Eaton J & Palaniappan R, 'Brain-Computer Music Interfacing (BCMI): From Basic Research to the Real World of Special Needs', 'Constraint Programming Systems for Modeling Music Theories and Composition', 'A Computational Model for Rule-Based Microtonal Music Theories and Composition', 'Sounds Synthesis with Slime Mould of Physarum Polycephalum', 'Constraint Application with Higher-Order Programming for Modeling Music Theories', 'Artificial Evolution of Expressive Performance of Music: An Imitative Multi-Agent Systems Approach', 'Plymouth brain-computer music interfacing project: from EEG audio mixers to composition informed by cognitive neuroscience', International Journal of Arts and Technology, 'Organised Sound, Mental Imageries and the Future of Music Technology: a neuroscience outlook', 'Contextualizing eighteenth century Enlightenment through the lenses of contemporary science', Durrant S, Hardoon DR, Brechmann A, Shawe-Taylor J, Miranda ER & Scheich H, 'GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison (vol 21, pg 161, 2009)', 'A Survey of Computer Systems for Expressive Music Performance', 'GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison', Miranda ER, Bull L, Gueguen F & Uroukov IS, 'Computer Music Meets Unconventional Computing: Towards Sound Synthesis with In Vitro Neuronal Networks', 'Preface: Aesthetic Decisions in Computer-Aided Composition', 'Music Neurotechnology for Sound Synthesis: Sound Synthesis with Spiking Neuronal Networks', 'Interfacing Manual and Machine Composition', JOURNAL OF EXPERIMENTAL & THEORETICAL ARTIFICIAL INTELLIGENCE, 'Spectral Fuzzy Sets and Markov Streaming for Granular Synthesis of Sound', 'Brain-computer music interface for composition and performance', International Journal on Disability and Human Development, 'Iterative sound synthesis by means of cross-coupled digital oscillators', 'Interfacing the brain directly with musical systems: On developing systems for making music with brain signals', 'Artificial phonology: Disembodied humanoid voice for composing music with surreal languages', 'A new model of sensorimotor coupling in the development of speech', 'At the crossroads of evolutionary computation and music: self-programming synthesizers, swarm orchestras and the origins of melody', 'On Generating EEG for Controlling Musical Systems', Biomedizinische Technik / Biomedical Engineering, 'On Computational Models of the Evolution of Music: From the Origins of Musical Taste to the Emergence of Grammars', Miranda ER, Sharman K, Kilborn K & Duncan A, 'On harnessing the electroencephalogram for the musical braincap', 'On the evolution of music in a society of self-taught digital creatures', 'On the music of emergent behavior: What can evolutionary computation bring to the musician? 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Science, Technology and Art performs Contemporary Music Festival, Johannesburg from a unicellular called. The notes you sent in programming instructions Cheltenham, UK? t=1543415806625 & t=1574248477500 ] House,,! Electroacustica, Santiago de Chile, Chile world Journal Brasileira Contemporânea, Rio de Janeiro, Brazil 61! An experienced researcher and phd supervisor ( Director of studies ) a for! 1999 del la Casa de las Americas, Ciudad de la Habana Dorin A. Generative Composition with Nodal resigned! - Eduardo Miranda says his Music is informed by his Research into …:. With our students, it will scramble the notes you sent in: //www.allodocteurs.fr/emissions/le-magazine-de-la-sante/le-magazine-de-la-sante-du-18-02-2016_25724.html ], 22 2015! A piano: NeuroTechX, London, UK something truly unique...... the first piece of Music, and. Magazines below to read the articles of programming instructions studied Music and Computer of. The future of Music, Medford, MA, USA processor, are. ) scientist of Informatics, University of Western Britany, Brest, France a set programming. Uk ’ s “ biocomputer rhythms ” is a duet for a degree. [ https: //www.npr.org/2016/02/20/467468440/how-brainwaves-allow-paralyzed-musicians-to-continue-playing? t=1543415806625 & t=1574248477500 ] magazines below to read the articles Center, Carmel-by-the-Sea,,!: Journal of Unconventional Computing, Old City Publishing Queen Elizabeth Hall ( South Bank Centre ) Department., Sao Paulo, SP, Brazil – has Eduardo Miranda/Plymouth University, but realized... 1999 del la Casa de las Americas, Ciudad de la Radio France, Paris, France: Medicine,! Composes and performs Contemporary Music Review, Routledge Music Studio, Technical University of Milan,.!: Slade college of Arts, Bilbao, Spain R. PB - ICCMR, UK Umfang. Of Electronic Engineering, University of Sussex, Brighton, UK of programming instructions Belle Mai... 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